A group of 13 paintings unseen in 40 years by the late, little-known Pasadena artist John Barbour opens a small but intriguing historical window.
Hard-edge painting -- a term coined in 1959 by the influential Los Angeles critic Jules Langsner to describe geometric abstractions by John McLaughlin, Karl Benjamin and others -- was the first indigenous Modernist art exported from Southern California in the late 1950s and early 1960s. Still far from fully examined, the period style was widely practiced.
Friday, December 26, 2008
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